This lists includes first editions edited by Parish Alvars himself.
The music belongs to Floraleda Sacchi’s music collection.
Amadeus Arte sells copies A4 format of originals, not bound for study or performing.
Several titles are also available in Digital Download format.
| SOLO HARP | |
| Sehnsucht or Melancholic Romance, op. 27, Artaria, 1835 published with the name of Albert Alvars |
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| Theme and Variations, Op. 28, Falter & Sohn, 1834 published with the name of Albert Alvars |
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| Theme and Variations, op. 29, Artaria, 1836 | |
| Sultan’s Favourite March, op. 30, Artaria, 1836 |
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| Souvenir of Milan, op. 31, Artaria, 1836 | |
| Introduction and Variations on a Theme by Bellini, op. 32, Artaria, 1838 | |
| Theme and Variations, op. 33, Artaria, 1837 | |
| Fantasia, op. 35, Haslinger, 1838 | |
| Introduction and Variations on Bellini’s Norma, op. 36, Artaria, 1838 with orchestral accompaniment ad libitum |
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| Divertissement on Bellini’s Beatrice di Tenda, op. 38, Mechetti, 1838 | |
| Introduction and Variations on Bellini’s I Capuleti e i Montecchi, op. 40, Ricordi, 1838 | |
| Fantasia and Virtuoso Variations on a Theme by Ricci, Op. 41, Ricordi, 1839 Orchestra or string quartet accompaniment ad libitum |
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| «Scenes of my Youth, or The Pleasures and the Sorrows of an Artist» Romances 1st series (No.1-3), op. 42, Artaria, 1839 |
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| «Scenes of my Youth, or The Pleasures and the Sorrows of an Artist» Romances 2nd series (No. 4-6), op. 48, Boosey, 1843 |
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| «Scenes of my Youth, or The Pleasures and the Sorrows of an Artist» Romances 3rd series (No. 7-9), op. 56, Mechetti, 1842 |
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| «Scenes of my Youth, or The Pleasures and the Sorrows of an Artist» Fantasia, op. 75, Schott, 1845 |
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| Introduction and Variations on a Theme by Herz, Op. 44 Ricordi, 1842 | |
| Souvenir of Bellini’s La Sonnambula, op. 46, Artaria, 1840 | |
| Souvenir of Donizetti’s Gemma di Vergy, op. 49, Artaria, 1843 | |
| Three Original Melodies, Op. 50, Boosey, 1843 | |
| Souvenir of Bochsa, Op. 51, Schott, 1843 | |
| Barcarola, Op. 52, Schuberth, 1845 |
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| Chorus of the Greek Corsairs, op. 53, Ricordi, 1846 | |
| Hungarian March, Op. 54, Schuberth, 1845 |
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| Grand Fantasia on Italian Themes, op. 57, Mechetti, 1843 original version of Introduction, Cadenza & Rondo which is an excerpt of this piece |
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| Grand Fantasia on Rossini’s Moïse (including La Preghiera), op. 58, Mechetti, 1843 | |
| Fantasia on Weber’s Oberon, op. 59, Ricordi, 1842 | |
| Grand Fantasia, op. 61, Ricordi, 1842 | |
| Travel of a Harpist in the Orient, op. 62, Mechetti, 1843/46 No. 1 Souvenir of Bosphore No. 2 Bulgarian Dance No. 3 Hebrew Air from Philopolis No. 4 Armenian Air No. 5 Sultan’s Parade March No. 6 Greek Song from Santorini |
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| The Plaint of a Young Girl (Song without words), op. 64, Kistner, 1843 |
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| Fantasia on Lord Burghersh’s L’Eroe di Lancastro, op. 66, Hofmeister, 1843 | |
| Grand March, op. 67, Schott, 1847 orchestra ad libitum, composed by Ludwig Richter |
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| The Farewell, Romance, op. 68, Mechetti, 1846 | |
| Souvenir of Besnate or The Lament – Song without words, op. 69, Bureau Général de Musique, 1844 | |
| Illustrations of German Poetry, Schott, 1844: | |
| No. 1 «Traum am Bache», op. 71 |
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| No. 2 «Gretchen’s Gebet vor dem Bilde der Mater Dolorosa», op. 72 | |
| Fantasia on Donizetti’s Belisario, op. 73, Schott, 1844 | |
| Fairies’ Dance, op. 76 Boosey, 1846 | |
| Souvenirs of Italian Operas: No. 1 Ernani by Verdi, op. 77, Ricordi, 1845 | |
| Grand Fantasia on Donizetti’s Lucrezia Borgia, op. 78, Schott, 1846 | |
| Grand Fantasia on Donizetti’s Lucia di Lammermoor, op. 79, Artaria, 1845 | |
| Souvenir of Donizetti’s Dom Sébastien, op. 80, Mechetti, 1846 | |
| Rêveries, op. 82, Kistner, 1846 | |
| Ricordi di Napoli | |
| No. 1 Serenade, op. 83, Ricordi, 1846 |
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| No. 2 Il Mandolino, op. 84, Ricordi, 1846 |
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| No. 3 Il papagallo, op. 85, Ricordi, 1846 |
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| No. 4 March of Portici, op. 87, Ricordi, 1846 |
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| Souvenirs of Italian Operas: No. 2 I Lombardi alla prima Crociata by Verdi, op. 86, Ricordi, 1846 | |
| Souvenir of Taglioni, Rondo, op. 88 , Schott, 1846 Original passage in the ballet La fille du Danube by Adam |
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| Souvenir of Pischek, Fantasia, op. 89, Schott, 1847 | |
| Souvenirs of Italian Operas: No. 3 Lucia di Lammermoor by Donizetti, op. 92, Ricordi, 1847 | |
| Souvenirs of Italian Operas: No. 4 Marino Faliero by Donizetti, op. 93, Ricordi, 1847 | |
| Souvenirs of Italian Operas: No 5 L’Elisir d’amore by Donizetti, op. 94, Ricordi, 1847 | |
| Souvenirs of Italian Operas: No 6 Il Giuramento by Mercadante, op. 95, Ricordi, 1847 | |
| Second Souvenir of Donizetti’s Dom Sébastien, op. 96, Ricordi, 1847 | |
| Illustrations of Italian Poetry (No. 1-3), op. 97, Ricordi, 1847 | |
| Last Thoughts: Melody & Funeral March, posthumous, Artaria, 1850/54 | |
| Grand Fantasia on I Capuleti e i Montecchi by Bellini and Semiramide by Rossini, posthumous, published by Melanie Parish Alvars, 1850 | |
| Lights and Shadows – Humoresques, posthumous, Boosey, 1850 (two Romances and a Waltz) | |
| Fantasias on Donizetti’s La Fille du Régiment, posthumous, Campbell & Ransford, 1851 |
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| Fantasia on Donizetti’s L’Elisir d’amore, posthumous, Campbell & Ransford, 1851 | |
| SOLO PIANO | |
| Impromptu in the Form of a Fugue, op. 70, Mechetti, 1844 | |
| CHAMBER MUSIC | |
| Grand Fantasia on Favourite Italian Arias for harp and piano or two pianos, op. 39 Ricordi, 1838 (in collaboration with Carl Czerny) |
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| Il Pescatore, Barcarola for voice and harp or piano, Op. 45, Kistner, 1846 | |
| Ouverture to Parish Alvars’ Opera The Legend of Teignmouth for piano four hands, Op. 47, Artaria, 1843 | |
| Heimweh, Romance for voice and piano, op. 55, Vienna, 1843? | |
| Grand Duo on Donizetti’s Linda di Chamounix for harp and piano or two pianos, op. 65, Ricordi, 1843 (in collaboration with Carl Czerny) |
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| Souvenir of Donizetti’s Don Pasquale, op. 74 for harp and piano, Schott, 1844 | |
| Concertino in D minor for two harps or harp and piano, op. 91, Ricordi, 1846 | |
| Fantasia on Dernières Pensées by Bellini for flute and harp, Ricordi, 1838 (in collaboration with Joseph Fahrbach) |
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| CONCERTOS | |
| Concertino in E Minor for harp and orchestra or string quartet, op. 34, Mechetti, 1838 Harp part + Orchestra Parts |
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| Introduction and Variations on Bellini’s Norma, op. 36, Artaria, 1838 | |
| Harp part | |
| Orchestral part | |
| Fantasia and Virtuoso Variations on a Theme by Ricci, Op. 41, Ricordi, 1839 | |
| Harp part | |
| Orchestra parts | |
| Grand Concerto in C Major for harp and orchestra or string quartet, op. 60, Ricordi, 1842 | |
| Harp part | |
| Orchestra score | |
| Orchestra parts | |
| Grand March, op. 67, Schott, 1847 | |
| Harp part | |
| Orchestra score | |
| Orchestra parts | |
| Grand Concerto in G Minor for harp and orchestra, op. 81, Kistner, 1847 | |
| Harp part | |
| Piano reduction | |
| Orchestra parts | |
| Concerto in G Minor for piano and orchestra, op. 90, Kistner, 1847(piano part) | |
| Concertino in D Minor for two harps or harp and piano and orchestra, op. 91, Ricordi, 1846 | |
| 1st harp or piano, 2nd harp parts | |
| Orchestra score | |
| Orchestra parts | |
| Concerto in E flat Major for harp and orchestra, op. 98, Schott, 1847 Harp part only |
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| Arrangements/various instruments | |
| Lafont-Czerny: L’Espagnole for harp and violin, Artaria, 1838 | |
| Gioachino Rossini: La Partenza, La Promessa, L’Orgia for harp, Ricordi, 1839 | |
| Franz Schubert: Three Romances for harp, Ricordi, 1839 | |
| John Field: Two Nocturnes for harp, Mechetti, 1842 | |
| Twelve Favourite Arias for harp (various composers), Ricordi, 1843 | |
| Felix Mendelssohn Bartholdy: Wedding March for harp and piano, Breitkopf & Härtel, 1848 | |
| Giacomo Meyerbeer: Ballabile from Les Huguenots for harp, Schott, 1843 | |
| Giacomo Meyerbeer: «D’un sacro zel l’ardore» from Les Huguenots for harp, Schott, 1843 | |
| Giacomo Meyerbeer: «Nobil Signor» from Les Huguenots for harp, Schott, 1843 | |
| Carl Maria von Weber: Aufforderung zum Tanze (Invitation à la danse) for harp and piano, Boosey, 1850 | |
| Gaetano Donizetti: Gran Marcia militare imperiale for harp or piano, Lewis & C., 1856 | |