portraits, writings, music, places…
Portraits:
Portrait by Joseph Kriehuber, Vienna, 1839
A litograph by Muenzer based on Kriehuber’s drawing, 1842 ca.
Melanie Lewy, wife of Parish Alvars. Litograph by Leopold Mueller, 1840 ca.
Writings:
Elias Parish Alvars’ signature
A letter to August Artaria dated Vienna, January 7th, 1843
Music:
Manuscript of Grand Fantasia on Rossini’s Moïse op. 58
The beginning of Impromptu à la fugue for piano op. 70.
The manuscript by Parish Alvars bears a signature and dedication.
Unpublished manuscript of orchestral accompaniment to Grand Fantasia on Donizetti’s Lucrezia Borgia, op. 78, belonging to Floraleda Sacchi’s collection
Manuscript of Concertino in D Minor for two harps or harp and piano and orchestra, op. 91
Cover of Travel of a Harpist in the Orient, op. 62, Mechetti, 1843/46
Cover of Illustrations of German Poetry No. 1 «Traum am Bache» op. 71, Schott, 1844
Cover of Fairies’ Dance op. 76, Boosey, 1846
Places:
St. Petersburg in Winter 1831
Istambul in 1830
Vienna in 1838, when Parish Alvars was living there
Vienna, the Hofopertheater in 1837, when Parish Alvars was Solo Harpist there
A train directed to Vienna in 1837.
Parish Alvars travelled with his harp throughout Europe and Near East with coaches and trains.
London in 1841
