portraits, writings, music, places…

Portraits:

Portrait by Joseph Kriehuber, Vienna, 1839

 

 

A litograph by Muenzer based on Kriehuber’s drawing, 1842 ca.

 

Melanie Lewy, wife of Parish Alvars. Litograph by Leopold Mueller, 1840 ca.

 

Writings:

Elias Parish Alvars’ signature

 

A letter to August Artaria dated Vienna, January 7th, 1843

 

 

Music:

Manuscript of Grand Fantasia on Rossini’s Moïse op. 58

 

The beginning of Impromptu à la fugue for piano op. 70.
The manuscript by Parish Alvars bears a signature and dedication.

 

Unpublished manuscript of orchestral accompaniment to Grand Fantasia on Donizetti’s Lucrezia Borgia, op. 78, belonging to Floraleda Sacchi’s collection

 

 

Manuscript of Concertino in D Minor for two harps or harp and piano and orchestra, op. 91

 

Cover of Travel of a Harpist in the Orient, op. 62, Mechetti, 1843/46

 

 

Cover of Illustrations of German Poetry No. 1 «Traum am Bache» op. 71, Schott, 1844

 

 

Cover of Fairies’ Dance op. 76, Boosey, 1846

 

 

 

Places:

St. Petersburg in Winter 1831

 

Istambul in 1830

 

Vienna in 1838, when Parish Alvars was living there

 

Vienna, the Hofopertheater in 1837, when Parish Alvars was Solo Harpist there

 

A train directed to Vienna in 1837.
Parish Alvars travelled with his harp throughout Europe and Near East with coaches and trains.

 

London in 1841